Overall, That! Feels Good! stays focused on a mission that never feels like a chore. In its relatively brief 40-minute runtime, Ware takes her task extremely seriously, but she’s unencumbered by its immensity; actually, it seems to unleash her.
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Overall, That! Feels Good! stays focused on a mission that never feels like a chore. In its relatively brief 40-minute runtime, Ware takes her task extremely seriously, but she’s unencumbered by its immensity; actually, it seems to unleash her.
It’s certainly not overlong at 10 tracks, but That! Feels Good! does seem frontloaded with its punchiest tunes. Still, there are moments in the back half that really work. ... That! Feels Good! is at its absolute best when it pinpoints that intoxicating connection between body and emotion.
That! Feels Good! is a record of sterling, mirrorball-lit songs and bawdy lyricism. It’s Ware’s finest collection of work to date.
It’s an album that confirms the sound of an artist continuing to push forward, a unified expression of joy that is never anything but bold, playful and fun.
That! Feels Good! isn’t as lyrically vibrant or extraordinary as What’s Your Pleasure? but holds its own with slinky grooves and a lane where Ware feels most comfortable.
By and large, this is pop music made by people who really know what they’re doing. The songs have bulletproof melodies and killer choruses, while snappy lyrics abound.
Vocally, Ware has somehow found another gear, turning in her most commanding performances while having what sounds like a ball with her background singers.
Confidence and swagger flows through the album as a whole, with every twist and turn adding another colour to its extraordinary palette. The sound of an artist hitting their stride and then some, ‘That! Feels Good’ really does live up to its name.
It’s albums like That! Feels Good! that younger generations and trendsetters should be paying more attention to, as incorporating the still-relevant past into new work is not only what can make some of the best art but some of the bravest art.
That! Feels Good! is unapologetic in its pop sensibilities, full of hooks that lightly tease and lyrics that keep themselves around. Ware's airy yet soulful delivery of these words, coos and moans is part of what makes her so captivating, and acts as a direct line to how much fun she's having.
As a follow-up to What’s Your Pleasure?, it’s inevitably a little doomed, lacking that record’s magical conditions: the unexpectedly fresh energy amid the lethargy of lockdown. Still, after Pleasure’s anticipatory teasing, That! Feels Good! offers a perfectly competent climax.
What’s Your Pleasure? boasts a more sophisticated, diverse palette—including Italo, house, and funk—but its follow-up’s fluffier philosophy reflects Ware’s obvious elation at finally being able to bring her music to life in a club setting.
This record sees Ware set herself free of any inhibitions and demand her listeners to follow suit. Ware’s vocals show the breadth and strength of their ability; dancing across ranges and depth, from delicate, whispered notes to soaring falsetto.
‘That! Feels Good!’ is a maximalist tour de force of glossy pop sounds. A liberating collection that seeks to paint a three-dimensional picture of Ware – as “a lover, a freak and a mother”, as she sings on ‘Pearls’ – this album sees her embrace a Sasha Fierce-like alter ego in a celebration of dancing and female agency.
That! Feels Good! nimbly catapults Ware from being beholden to What’s Your Pleasure?, to cementing herself as one of the most agile and important dance artists working today. ... A punchier and more immediate album than What’s Your Pleasure?, slicker and far funkier, but equally iconoclastic.
What’s Your Pleasure? is a glass of red wine and a cigarette; That! Feels Good! is a shot of tequila and a line of…something stronger. ... It takes a steady hand to be as over-the-top as That! Feels Good! and still retain an air of class, something Ware manages to do almost impossibly. She saves the full poignancy of her vocals for just the right moment.
Overall, That! Feels Good! stays focused on a mission that never feels like a chore. In its relatively brief 40-minute runtime, Ware takes her task extremely seriously, but she’s unencumbered by its immensity; actually, it seems to unleash her.
It’s certainly not overlong at 10 tracks, but That! Feels Good! does seem frontloaded with its punchiest tunes. Still, there are moments in the back half that really work. ... That! Feels Good! is at its absolute best when it pinpoints that intoxicating connection between body and emotion.
That! Feels Good! is a record of sterling, mirrorball-lit songs and bawdy lyricism. It’s Ware’s finest collection of work to date.
It’s an album that confirms the sound of an artist continuing to push forward, a unified expression of joy that is never anything but bold, playful and fun.
That! Feels Good! isn’t as lyrically vibrant or extraordinary as What’s Your Pleasure? but holds its own with slinky grooves and a lane where Ware feels most comfortable.
By and large, this is pop music made by people who really know what they’re doing. The songs have bulletproof melodies and killer choruses, while snappy lyrics abound.
Vocally, Ware has somehow found another gear, turning in her most commanding performances while having what sounds like a ball with her background singers.
Confidence and swagger flows through the album as a whole, with every twist and turn adding another colour to its extraordinary palette. The sound of an artist hitting their stride and then some, ‘That! Feels Good’ really does live up to its name.
It’s albums like That! Feels Good! that younger generations and trendsetters should be paying more attention to, as incorporating the still-relevant past into new work is not only what can make some of the best art but some of the bravest art.
That! Feels Good! is unapologetic in its pop sensibilities, full of hooks that lightly tease and lyrics that keep themselves around. Ware's airy yet soulful delivery of these words, coos and moans is part of what makes her so captivating, and acts as a direct line to how much fun she's having.
As a follow-up to What’s Your Pleasure?, it’s inevitably a little doomed, lacking that record’s magical conditions: the unexpectedly fresh energy amid the lethargy of lockdown. Still, after Pleasure’s anticipatory teasing, That! Feels Good! offers a perfectly competent climax.
What’s Your Pleasure? boasts a more sophisticated, diverse palette—including Italo, house, and funk—but its follow-up’s fluffier philosophy reflects Ware’s obvious elation at finally being able to bring her music to life in a club setting.
This record sees Ware set herself free of any inhibitions and demand her listeners to follow suit. Ware’s vocals show the breadth and strength of their ability; dancing across ranges and depth, from delicate, whispered notes to soaring falsetto.
‘That! Feels Good!’ is a maximalist tour de force of glossy pop sounds. A liberating collection that seeks to paint a three-dimensional picture of Ware – as “a lover, a freak and a mother”, as she sings on ‘Pearls’ – this album sees her embrace a Sasha Fierce-like alter ego in a celebration of dancing and female agency.
That! Feels Good! nimbly catapults Ware from being beholden to What’s Your Pleasure?, to cementing herself as one of the most agile and important dance artists working today. ... A punchier and more immediate album than What’s Your Pleasure?, slicker and far funkier, but equally iconoclastic.
What’s Your Pleasure? is a glass of red wine and a cigarette; That! Feels Good! is a shot of tequila and a line of…something stronger. ... It takes a steady hand to be as over-the-top as That! Feels Good! and still retain an air of class, something Ware manages to do almost impossibly. She saves the full poignancy of her vocals for just the right moment.
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